Websites for world & international musicians

The tour list is the homepage. The language switcher is the trust signal.

On world, Latin, and international-touring sites, bookings and festival inquiries convert when an audience can read dates, venues, and a press kit in their own language without a single click of friction. We lead with the tour list, build in true multi-language support (not just Google Translate), and route festival inquiries to a clean EPK download — the pattern that international touring circuits actually reward.

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Multi-language, at no extra charge

A true language switcher — plain text codes (EN / ES / PT, etc.), never flags, because flags conflate language with nationality in a way that alienates diaspora audiences — is standard on every world/international build, at no extra charge over the base $249/$499 price. Pages live at proper subpaths (/es/, /pt/) rather than query-string hacks, with correct `lang` attributes and hreflang tags per locale, which most competing site builders simply don't offer at any price.

Tour dates lead, formatted for an international audience

The gig list sits above the music section, not below it, because international fans buy tickets before they stream — and it's formatted for a global audience by default: DD MMM YYYY dates (never MM/DD, which reads ambiguously outside the US), city + venue + country code visible at a glance, and a clear on-sale/sold-out/VIP-only status pill per date.

An EPK built for festival programmers, not fans

Booking and festival inquiries are the highest-value conversion for this ICP, so every build includes a downloadable press kit alongside the standard booking-email lane — festival programmers and agents who download it are meaningfully further down the funnel than a page view, and that download is something you can point to when reporting back on what the site is doing for you.

Three ways to style it

Latin-Heat: nocturnal, bold, festival-poster confidence — condensed display type, dark-first palette, built for urbano/reggaeton/Latin-pop-adjacent acts. Diaspora-Folk: literate and archival, warm neutrals, generous negative space — built for MPB, world-jazz, flamenco-modern, and Afro-fusion instrumentalists and singer-songwriters. K-Wave-Modern: hyper-clean, dual-script type (Latin + Hangul or Hangul-adjacent), studio-lit imagery — built for K-indie and Asian-diaspora pop acts.

The highest touring cadence of any cluster

International touring artists add dates monthly across multiple markets, release in two or three languages, and get festival announcements on the festival's schedule, not their own — which is why we recommend the Touring maintenance tier as the default here, pitched explicitly as "your tour and language updates handled," not generic upkeep. Festival-circuit artists also benefit from a quarterly EPK refresh, which we build into the same maintenance conversation.

Frequently asked questions

Is the multi-language switcher a paid add-on?

No — a proper language switcher (subpaths, correct lang attributes, hreflang) is included in every world/international build at no extra charge.

Do you use flags for the language switcher?

No — plain text language codes (EN / ES / PT, etc.) by convention, since flags conflate language with nationality and alienate diaspora audiences.

How are international tour dates formatted?

DD MMM YYYY format with city, venue, and country code visible at a glance — never the ambiguous MM/DD format — plus an on-sale/sold-out/VIP-only status pill per date.

Can I get a downloadable EPK for festival submissions?

Yes — every build includes a downloadable press kit alongside the standard booking-email routing.

What if my act tours across three or more countries a year?

That's the exact profile the Touring maintenance tier is built for — monthly date additions across markets and periodic language updates, framed as one ongoing plan rather than one-off requests.

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$249 solo · $499 band · live in 5 business days.

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